
OLDFIELD, Otis
Adieu!
Lithograph, 1940.
Adieu! is a lithograph from 1940 by American artist Otis Oldfield (1890-1969). It is pencil signed, titled, and editioned 25/150. Adieu! was publi...
View full detailsLithograph, 1940.
Adieu! is a lithograph from 1940 by American artist Otis Oldfield (1890-1969). It is pencil signed, titled, and editioned 25/150. Adieu! was publi...
View full detailsLithograph, 1916.
Artists Judging Works of Art. 1916. Lithograph. Mason 18. 14 1/2 x 19 (sheet 18 3/4 x 26 7/8). Edition approximately 52. A rich impression printed ...
View full detailsEtching, 1938.
Paul Cadmus (1904-1999), Aspects of Suburban Life: Polo Spill, etching, 1938, signed in pencil lower right, titled and inscribed in pencil “artists...
View full detailsStencil or Pochoir, Circa 2016.
Dimensions: 11.5" x 15.75"Medium: Katazome Stencil Dye PrintEdition Size: Open Edition
Wood Engraving, 2020.
Black Bear is a relief print, a wood-engraving, created in 2020 by American printmaker Richard Wagener (born 1944). It is pencil signed, dated and...
View full detailsEngraving, 1620.
engraving; 117 x 159 mm (4 5/8 x 6 ¼ inches) Hollstein 420; Wüthrich, vol. 1, p. 145, no. 544
Screenprint, 1947.
City Summer is a color serigraph from 1947 by American printmaker Dorr Bothwell (1902-2000). This impression is pencil signed, titled, dated, and ...
View full detailsPhotograph, no date.
Archival pigment print on wove paper, mounted on archival mat board. Printed and matted by the artist. This one print #6. Signed in pencil on the m...
View full detailsMezzotint, 1891.
Diana and Endymion (after the painting by George Frederic Watts, R.A., H.R.C.A. 1817 - 1904). 1891. Mezzotint. Hardie 60. 17 3/4 x 22 (sheet 21 3/4...
View full detailsEngraving, 1618.
Diana Discovers the Pregancy of Callisto’s (after Paul Moreelse) 1618 engraving; sheet 305 x 404 mm (12 x 15 ¾ inches) Bartsch 115; Hollstein 78 fi...
View full detailsIntaglio, 1963.
In Birmingham Jail is a mixed technique color intaglio from 1963 by American artist Warrington Colescott (1921-2018). The plate is a combination o...
View full detailsWoodcut, 2018.
Last Light, River NocturneReduction woodcut, edition 22, size 21.5 x 33 inches.A nocturnal view of Portsmouth Harbor from the river bank as seen fr...
View full detailsPhotograph, no date.
Archival pigment print on wove paper, mounted on archival mat board.Printed and matted by the artist.This one impression is number 3.Signed in penc...
View full detailsEtching, 1899.
JAMES ENSOR (1860-1949)L’Entre du Christ Bruxelles (The Entry of Christ into Brussels)etching, onsimili-Japonpaper, 1899, Elesh’s third state (of ...
View full detailsWoodcut, 2014.
Dimensions: 14.25" x 19"Medium: Mokuhanga Woodblock PrintEdition Size: 10
Woodcut, 2003.
New Mexico is a color reduction woodcut from 2003 by American printmaker Gordon Louis Mortensen (born 1938). It is pencil signed, titled, dated, a...
View full detailsLithograph, 1937.
Lithograph on wove paper.Edition of 20.Signed, titled, and annotated “20 imp.” in pencil.Image: 9 ¼ x 7 ¾ inches.Very fine impression in pristine c...
View full detailsWoodcut, 1977.
Color woodcut and screenprint with raised embossed fruit on wove paper.Reference: Maki 661.Edition of 206.Signed, titled, dated, and numbered in pe...
View full detailsWoodblock Print, 1975.
One of the Artist's large persimmon images on a velvety black background The image is enhanced with deep embossing, and burnished elements.Medium: ...
View full detailsEtching, 1907.
Ernest D Roth, Amer., (1876-1964), Ponte Vecchio-Morning-Florence, Etching, 1907, 8-15/16 x 10, light toning within mat opening, signed, titled, da...
View full detailsStencil or Pochoir, 2012.
Dimensions: 13.5″ x 33.5″Medium: Katazome Stencil-Dyed Print Edition Size: Unknown
Woodcut, 1945.
Edition 150, Williams 20.Image size 7 1/8 x 9 1/8 inches (181 x 232 mm); sheet size 8 3/8 x 10 3/4 inches (213 x 273 mm). Signed in ink, in the ima...
View full detailsEtching, 1967.
Aquatint, etching and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders ...
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