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Lithograph, 1940.
Adieu! is a lithograph from 1940 by American artist Otis Oldfield (1890-1969). It is pencil signed, titled, and editioned 25/150. Adieu! was publi...
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Lithograph, 1916.
Artists Judging Works of Art. 1916. Lithograph. Mason 18. 14 1/2 x 19 (sheet 18 3/4 x 26 7/8). Edition approximately 52. A rich impression printed ...
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Etching, 1938.
Paul Cadmus (1904-1999), Aspects of Suburban Life: Polo Spill, etching, 1938, signed in pencil lower right, titled and inscribed in pencil “artists...
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Stencil or Pochoir, Circa 2016.
Dimensions: 11.5" x 15.75"Medium: Katazome Stencil Dye PrintEdition Size: Open Edition
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Wood Engraving, 2020.
Black Bear is a relief print, a wood-engraving, created in 2020 by American printmaker Richard Wagener (born 1944). It is pencil signed, dated and...
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Engraving, 1620.
engraving; 117 x 159 mm (4 5/8 x 6 ¼ inches) Hollstein 420; Wüthrich, vol. 1, p. 145, no. 544
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Screenprint, 1947.
City Summer is a color serigraph from 1947 by American printmaker Dorr Bothwell (1902-2000). This impression is pencil signed, titled, dated, and ...
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Photograph, no date.
Archival pigment print on wove paper, mounted on archival mat board. Printed and matted by the artist. This one print #6. Signed in pencil on the m...
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Mezzotint, 1891.
Diana and Endymion (after the painting by George Frederic Watts, R.A., H.R.C.A. 1817 - 1904). 1891. Mezzotint. Hardie 60. 17 3/4 x 22 (sheet 21 3/4...
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Engraving, 1618.
Diana Discovers the Pregancy of Callisto’s (after Paul Moreelse) 1618 engraving; sheet 305 x 404 mm (12 x 15 ¾ inches) Bartsch 115; Hollstein 78 fi...
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Intaglio, 1963.
In Birmingham Jail is a mixed technique color intaglio from 1963 by American artist Warrington Colescott (1921-2018). The plate is a combination o...
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Woodcut, 2018.
Last Light, River NocturneReduction woodcut, edition 22, size 21.5 x 33 inches.A nocturnal view of Portsmouth Harbor from the river bank as seen fr...
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Photograph, no date.
Archival pigment print on wove paper, mounted on archival mat board.Printed and matted by the artist.This one impression is number 3.Signed in penc...
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Etching, 1899.
JAMES ENSOR (1860-1949)L’Entre du Christ Bruxelles (The Entry of Christ into Brussels)etching, onsimili-Japonpaper, 1899, Elesh’s third state (of ...
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Woodcut, 2014.
Dimensions: 14.25" x 19"Medium: Mokuhanga Woodblock PrintEdition Size: 10
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Woodcut, 2003.
New Mexico is a color reduction woodcut from 2003 by American printmaker Gordon Louis Mortensen (born 1938). It is pencil signed, titled, dated, a...
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Lithograph, 1937.
Lithograph on wove paper.Edition of 20.Signed, titled, and annotated “20 imp.” in pencil.Image: 9 ¼ x 7 ¾ inches.Very fine impression in pristine c...
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Woodcut, 1977.
Color woodcut and screenprint with raised embossed fruit on wove paper.Reference: Maki 661.Edition of 206.Signed, titled, dated, and numbered in pe...
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Woodblock Print, 1975.
One of the Artist's large persimmon images on a velvety black background The image is enhanced with deep embossing, and burnished elements.Medium: ...
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Etching, 1907.
Ernest D Roth, Amer., (1876-1964), Ponte Vecchio-Morning-Florence, Etching, 1907, 8-15/16 x 10, light toning within mat opening, signed, titled, da...
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Stencil or Pochoir, 2012.
Dimensions: 13.5″ x 33.5″Medium: Katazome Stencil-Dyed Print Edition Size: Unknown
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Woodcut, 1945.
Edition 150, Williams 20.Image size 7 1/8 x 9 1/8 inches (181 x 232 mm); sheet size 8 3/8 x 10 3/4 inches (213 x 273 mm). Signed in ink, in the ima...
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Etching, 1967.
Aquatint, etching and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders ...
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