
KLOSS, Gene
Sundown
Etching, 1967.
Aquatint, etching and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders ...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Enjoy this collection of aquatints.
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Etching, 1967.
Aquatint, etching and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders ...
View full detailsIntaglio, 1963.
In Birmingham Jail is a mixed technique color intaglio from 1963 by American artist Warrington Colescott (1921-2018). The plate is a combination o...
View full detailsAquatint, 1914.
Color aquatint. A proof impression, before the edition of 35. 4 x 5 inches. Signed in pencil.
Aquatint, 1916.
Color aquatint. Edition of 25. 10 x 8 inches. Signed in pencil.
Etching, 2007.
Medium: Etching and aquatintEdition of 30Image Size: 12 x 23 inchesPaper Size: 22 x 30 inches Viramontes was the subject of a 1-hour documentary Xa...
View full detailsEtching, 2007.
Medium: etching and aquatintEdition of 250Year: 2007Image Size: 18 x 12 inches This print recalls a scene in Bloedel Donovan Park, Lake Whatcom, Be...
View full detailsAquatint, 1975.
Aquatint, 197515 7/8 in. x 11 1/2 in. (403 mm x 292 mm)Edition of 50UnframedAvailability: In StockPrice: $3000A fine impression of this intriguing ...
View full detailsEtching, 2002.
MORE IMPRESSIONS ARE STILL AVAILABLE. CONTACT US. This etching, aquatint and drypoint with chine collé was done as a 'warm up' print prior to the a...
View full detailsEtching, 1997.
Four large copper plates, each etched with aquatint, soft-ground and burnishing, are printed in rich tones of greys, blue, yellow, and green to cre...
View full detailsEtching, 1989.
Inga-Britta Mills, Amer., (1925-2018), Study II, Color Etching and Aquatint, 1989, Ed. 5 of 8 plus a few AP's, 11-15/16 x 15-7/8, signed, titled, d...
View full detailsEtching, 1914.
Levy, Beatrice. SONG OF SUMMER. Etching with aquatint, 1914. Artist's Proof aside from an edition of unknown size, likely 25 or fewer. Unsigned. I...
View full detailsEtching, 2019.
Medium: Etching & Aquatint Edition of 250 Year: 2017Image Size: 9 x 12 inches Hills west of the San Jouquin Valley. Etching and aquatint, signe...
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