Aquatint

While printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging.  And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers.  Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists.  These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings.  Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color.  Enjoy this collection of aquatints.

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Gene Kloss: Sundown Sold

KLOSS, Gene

Sundown

Etching, 1967.

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Aquatint, etching and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders ...

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Emile-Alfred Dezaunay: Mass in Brittany Sold

DEZAUNAY, Emile-Alfred

Mass in Brittany

Etching, circa 1900.

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"La Messe en Bretagne" (descriptive French title) Aquatint, etching, roulette & drypoint printed in color on Arches laid paper, circa 1900. Re...

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Warrington Colescott: In Birmingham Jail Sold

COLESCOTT, Warrington

In Birmingham Jail

Intaglio, 1963.

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In Birmingham Jail is a mixed technique color intaglio from 1963 by American artist Warrington Colescott (1921-2018). The plate is a combination o...

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Helene Bautista: The Waiting Room Sold

BAUTISTA, Helene

The Waiting Room

Drypoint, 2016.

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Salle des Pas Perdus (original French title)Room of Lost Steps (literal English translation) Drypoint and aquatint printed in bluish-black ink on...

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John Wilson: Head Study Sold

WILSON, John

Head Study

Etching, 2002.

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MORE IMPRESSIONS ARE STILL AVAILABLE. CONTACT US. This etching, aquatint and drypoint with chine collé was done as a 'warm up' print prior to the a...

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