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Drypoint, 1937.
Wharves is a drypoint from 1937 by American artist Jeannette Maxfield Lewis (1894-1982). It is pencil signed and titled, and the plate is incised ...
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Woodcut, 2003.
New Mexico is a color reduction woodcut from 2003 by American printmaker Gordon Louis Mortensen (born 1938). It is pencil signed, titled, dated, a...
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Etching, 1899.
JAMES ENSOR (1860-1949)L’Entre du Christ Bruxelles (The Entry of Christ into Brussels)etching, onsimili-Japonpaper, 1899, Elesh’s third state (of ...
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Hand Colored, 2019.
ガラスの花火 (original Japanese title) Aquatint and etching with hand coloring printed on chine collé. Edition of 30. Signed, dated, numbered, and titled...
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Linocut, 2016.
Color linocut reduction on wove paper, 2016.Edition of 100.Signed, titled, and numbered in pencil.Image size: 9 x 12 inches.
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Etching, 1938.
Paul Cadmus (1904-1999), Aspects of Suburban Life: Polo Spill, etching, 1938, signed in pencil lower right, titled and inscribed in pencil “artists...
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Stencil or Pochoir, 2012.
Dimensions: 13.5″ x 33.5″Medium: Katazome Stencil-Dyed Print Edition Size: Unknown
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Woodcut, 2018.
Last Light, River NocturneReduction woodcut, edition 22, size 21.5 x 33 inches.A nocturnal view of Portsmouth Harbor from the river bank as seen fr...
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Photograph, no date.
Archival pigment print on wove paper, mounted on archival mat board.Printed and matted by the artist.This one impression is number 3.Signed in penc...
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Woodcut, 2014.
Dimensions: 14.25" x 19"Medium: Mokuhanga Woodblock PrintEdition Size: 10
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Etching, circa 1930.
Junger Hirte mit Tirolerhut (descriptive German title)Color aquatint and etching on wove paper, circa 1930.Stated edition of 100, but in light of t...
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Woodblock Print, 1969.
A winter landscape; Red temple walls glow against white snowand stark bare trees. The Print is enhanced with mica detail tothe freshly fallen snow....
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Woodblock Print, 1975.
One of the Artist's large persimmon images on a velvety black background The image is enhanced with deep embossing, and burnished elements.Medium: ...
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Photograph, no date.
Archival pigment print on wove paper, mounted on archival mat board. Printed and matted by the artist. This one print #6. Signed in pencil on the m...
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Stencil or Pochoir, Circa 2016.
Dimensions: 11.5" x 15.75"Medium: Katazome Stencil Dye PrintEdition Size: Open Edition
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Mezzotint, 1891.
Diana and Endymion (after the painting by George Frederic Watts, R.A., H.R.C.A. 1817 - 1904). 1891. Mezzotint. Hardie 60. 17 3/4 x 22 (sheet 21 3/4...
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Woodblock Print, 1845-47.
On a snowy evening a small group gathers in a temple courtyard.A soft and delicate winter landscapeMedium: Japanese Woodblock PrintDimensions: 9.25...
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Engraving, 1618.
Diana Discovers the Pregancy of Callisto’s (after Paul Moreelse) 1618 engraving; sheet 305 x 404 mm (12 x 15 ¾ inches) Bartsch 115; Hollstein 78 fi...
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Intaglio, 1955.
Veneration of the Ancestors is a mixed technique, color intaglio from 1955 by American printmaker, Dick Swift (1918-2010). The plate was created w...
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Engraving, 1620.
engraving; 117 x 159 mm (4 5/8 x 6 ¼ inches) Hollstein 420; Wüthrich, vol. 1, p. 145, no. 544
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Lithograph, 1916.
Artists Judging Works of Art. 1916. Lithograph. Mason 18. 14 1/2 x 19 (sheet 18 3/4 x 26 7/8). Edition approximately 52. A rich impression printed ...
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Etching, 1933.
Venetian Mirror (The Grand Canal, Venice). 1933. Etching. Fletcher 289.ii. 6 1/4 x 14 1/4 (sheet 10 3/16 x 18 1/8). Edition 169 (+ 27 trial proofs)...
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Lithograph, 1937.
Lithograph on wove paper.Edition of 20.Signed, titled, and annotated “20 imp.” in pencil.Image: 9 ¼ x 7 ¾ inches.Very fine impression in pristine c...
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